film

Avatar: A Fantasy About Race?

I saw Avatar tonight and I can safely say the visuals are stunning. The 3d is unlike anything I’ve ever seen before—by the end of the film I not only felt that Pandora is real, but that I was there.

That said, I can’t help but agree with Annalee Newitz’s critique of the racial fantasy at the heart of Avatar’s plot. Warning: plot spoilers for Avatar and District 9 below…

In both Avatar and District 9, humans are the cause of alien oppression and distress. Then, a white man who was one of the oppressors switches sides at the last minute, assimilating into the alien culture and becoming its savior…

These are movies about white guilt. Our main white characters realize that they are complicit in a system which is destroying aliens, AKA people of color – their cultures, their habitats, and their populations. The whites realize this when they begin to assimilate into the “alien” cultures and see things from a new perspective. To purge their overwhelming sense of guilt, they switch sides, become “race traitors,” and fight against their old comrades. But then they go beyond assimilation and become leaders of the people they once oppressed. This is the essence of the white guilt fantasy, laid bare. It’s not just a wish to be absolved of the crimes whites have committed against people of color; it’s not just a wish to join the side of moral justice in battle. It’s a wish to lead people of color from the inside rather than from the (oppressive, white) outside.

Think of it this way. Avatar is a fantasy about ceasing to be white, giving up the old human meatsack to join the blue people, but never losing white privilege. Jake never really knows what it’s like to be a Na’vi because he always has the option to switch back into human mode. Interestingly, Wikus in District 9 learns a very different lesson. He’s becoming alien and he can’t go back. He has no other choice but to live in the slums and eat catfood. And guess what? He really hates it. He helps his alien buddy to escape Earth solely because he’s hoping the guy will come back in a few years with a “cure” for his alienness. When whites fantasize about becoming other races, it’s only fun if they can blithely ignore the fundamental experience of being an oppressed racial group. Which is that you are oppressed, and nobody will let you be a leader of anything.

The whole article is definitely worth a read: When Will White People Stop Making Movies Like “Avatar”? And I do still highly recommend seeing both films.

12/24/09
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You, The Living (Du Levande)

Yesterday afternoon I watched You, The Living (Du Levande), the highest rated Swedish film of 2007. It’s dark, beautiful, tragic, and hilarious. If you watch the whole thing it will probably make you think about life a little differently.

Here’s nymag’s take:

Spectacular, visionary Swedish film unspools as a series of darkly comic vignettes—each taking place in a stylized, pastel-toned diorama-like set—shot with a nearly motionless camera. The resulting visuals are endlessly fascinating without feeling contrived or precious; it’s a fitting backdrop for the film’s ensemble of eccentrics, who put up with annoying everyday situations while tuba-heavy Dixieland jazz bubbles in the background.—nymag

For a hint of the feeling of the film, check out these two scenes:

You, The Living is playing through Tuesday, August 11th at the Film Forum.

08/03/09
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