media

What The Atlantic’s Contributors Think of the Redesign

The Atlantic recently redesigned—here’s the product tour. But not everyone likes the redesign, including many of the The Atlantic’s contributors who posted vocal critiques of the new site.

Andrew Sullivan writes:

But in this redesign, we should be grateful for the usual neglect. Our page is by far the least messed up…

I know the designers meant well and worked very hard. Like everyone else, I deeply appreciate their hard work. Maybe some agree with Goldberg that this HuffPo/DailyBeast/Gawker type melange is, in fact, “a thorough reimagining of what a magazine’s website could be: Current, topical, intellectual, earnest (and ironic), but rooted in the culture and history of one of America’s most indispensably important magazines.”

I understand that advertisers like “verticals” to pitch certain kinds of products, and are allegedly leery of individual bloggers with style. I also know in this media climate how vital advertising is, and how our survival online is critical to our endurance in print. I am not a businessman. And I deeply believe in the Atlantic, as readers well know. If this keeps us afloat, that sure is better than going under. If there is business genius here, congrats to all involved.

But treating blogs as a series of headlines, designed to maximize pageviews, is a deep misunderstanding of blogs, their reader communities and their integrity. I hope they get restored to their previous coherence, and these amorphous “channels” gain some editorial identity. I hope writers like Fallows and Goldberg aren’t treated as random fodder – anchors! – for “channels”. I believe in the Atlantic as a place for writing. The redesign seems to me to ooze casual indifference to that and to the respect that individual writers deserve.

Jeffrey Goldberg jokes:

I think you can still find my blog the old way. But I’m not sure. There are a lot of buttons on this thing.

Ta-Nehisi Coates predicts:

And after some conversation on Friday, expect the appearance, and feel of that “Ta-Nehisi” page to change in the next couple weeks or so. It won’t completely be the old blog, but we are going to do everything we can to get as much of the old blog back as we can. Moreover, we will specifically address the formatting issue that a lot of you raised in terms of seeing only one sentence. That will change. Overall, something better, if not perfect, is on the horizon.

James Fallows complains:

I consider the new layout of “personal” blog pages to be a serious step backward, since it makes all sites look the same and drains them of personality and visual interest, plus making them much harder to read. I hope, and think, that this part of the design will be re-visited.

On the one hand it’s refreshing to see this level of transparency, (mostly) thoughtful critique and dialogue with lots of feedback from the comments to bolster arguments. But I can’t help wondering what message is sent out to the world about The Atlantic when its contributors use their columns to criticize the business and product decisions that drove this redesign.

What do you think?

03/01/10 · Ξ 0 responses · more in: media, web

Avatar: A Fantasy About Race?

I saw Avatar tonight and I can safely say the visuals are stunning. The 3d is unlike anything I’ve ever seen before—by the end of the film I not only felt that Pandora is real, but that I was there.

That said, I can’t help but agree with Annalee Newitz’s critique of the racial fantasy at the heart of Avatar’s plot. Warning: plot spoilers for Avatar and District 9 below…

In both Avatar and District 9, humans are the cause of alien oppression and distress. Then, a white man who was one of the oppressors switches sides at the last minute, assimilating into the alien culture and becoming its savior…

These are movies about white guilt. Our main white characters realize that they are complicit in a system which is destroying aliens, AKA people of color – their cultures, their habitats, and their populations. The whites realize this when they begin to assimilate into the “alien” cultures and see things from a new perspective. To purge their overwhelming sense of guilt, they switch sides, become “race traitors,” and fight against their old comrades. But then they go beyond assimilation and become leaders of the people they once oppressed. This is the essence of the white guilt fantasy, laid bare. It’s not just a wish to be absolved of the crimes whites have committed against people of color; it’s not just a wish to join the side of moral justice in battle. It’s a wish to lead people of color from the inside rather than from the (oppressive, white) outside.

Think of it this way. Avatar is a fantasy about ceasing to be white, giving up the old human meatsack to join the blue people, but never losing white privilege. Jake never really knows what it’s like to be a Na’vi because he always has the option to switch back into human mode. Interestingly, Wikus in District 9 learns a very different lesson. He’s becoming alien and he can’t go back. He has no other choice but to live in the slums and eat catfood. And guess what? He really hates it. He helps his alien buddy to escape Earth solely because he’s hoping the guy will come back in a few years with a “cure” for his alienness. When whites fantasize about becoming other races, it’s only fun if they can blithely ignore the fundamental experience of being an oppressed racial group. Which is that you are oppressed, and nobody will let you be a leader of anything.

The whole article is definitely worth a read: When Will White People Stop Making Movies Like “Avatar”? And I do still highly recommend seeing both films.

12/24/09 · Ξ 1 response · more in: film, media

NYMag: From The Archives

One of the first editions of New York Magazine is available for free online through Google Books. The April 29th, 1968 edition, art directed by Milton Glaser, includes bold typography, illustrations and a story on New York graffiti. It’s nice to see that the logotype from ‘68 is virtually unchanged today.

11/03/09 · Ξ 2 responses · more in: design, media